#pirates of the caribbean was kind of a formative influence #so here’s the thing #after years of chasing curses and hearts and fountains; losing the pearl and winning her back and losing her again #after rum enough to drown his sins and sorrows both#captain jack sparrow wakes up one morning and he’s immortal #just like that #no deals with calypso (he hasn’t been able to find her since the brethren court broke her chains) no desperate double-dealing #one morning he just…stops #stops aging stops dying #he gets the seas forever—except #except #the edges of the map are closing in #the lure of undiscovered treasures is waning and merchant ships are becoming better defended #the day that the East India Company takes Shipwreck Island; Jack feels a great chapter in the world’s history close #(he flees to the Barbary coast with the rest of his ilk; but the romance has gone out of it—the is too much desperation #too much hunger too much blood to it nowadays #the age of the swashbuckler won’t live out the decade) #I imagine this thing he’s chased all his life would crumble through his hands as he bounced from ship to ship #he never gets used to the square rigging on the clippers; though they lead to some good work running tea from china #but the first time he sees a steamship he nearly walks off the dock out of shock #of all the ways sailing would have changed; who thought you’d get rid of the /sails/ #(he swears he’s never getting on one of those monstrosities; let alone sailing on one) #(he manages to hold out until 1893 when the longing for the sea overwhelms him and he decides that even #that ghastly smog and the humming of the engines can be endured) #sometimes he’ll see calypso out of the corner of his eye—leaning on the deck railing; darting alongside the ship with the dolphins #(someone in the early 20th century tells him they’re not fish and he nearly busts a gut laughing) #he wears a hundred names and a hundred looks; cuts his hair short or grows it long #calls himself american; spanish; english (british); caribbean #he has two dozen different copies of Stevenson’s Treasure Island—it reminds him of something gone and half-forgotten #and in 1920 when Seitz comes out with Pirate Gold; Captain Jack Sparrow is in the first row (x)
And then in the future, everything changes. He’s been through it all, of course-watched humanity rediscover the heavens above them, watched them begin to wonder what’s out there. He cheered with the rest of the world when they landed on the moon, cheered as if he’d found Isla de la Muerta all over again, because there was something new. New treasure, a new horizon. But then they stop going, stop exploring, and he goes back to riding tankers across the rising seas. So he’s surprised when one day he wakes up from a night with his bottle of rum (his truest companion), and hears that there’s colonies on Mars now, and they need ships to supply them. He spends the next decade crafting new identities, learning all he can to qualify for the job, and after several tries (and even more faked deaths-this immortality thing isn’t all it’s cracked up to be in the age of the inerasable digital self) he gets it. The ships go nearly constantly now, the needs of the terraforming project creating an unbroken line of vessels from Mars to Earth and back again. “Show me that horizon,” he whispers to himself, his personal prayer of thanksgiving, each time they leave orbit, because the worlds, the stars are in motion and it’s never the same, with nearly three years for a round trip the ports are always different, even if they keep the old names. And finally one trip something goes wrong with the reactor, they’re too low on power and have to deploy the backups, and Jack (Lucky Jack, they call him, for he survives too many things he shouldn’t but science has yet to accept that maybe some things weren’t old wives’ tales after all) goes out for the spacewalk to bring up the solar panels. And as they rise, geometric patterns black against the sun’s glare, he’s struck by a powerful sense of déjà vu, because it’s all here-wind and sails, a ship beneath his feet and stars above his head, horizon in all directions. He wonders, for a moment, if the reason he’s still here is because the universe wanted a witness, to mourn the end of one age of exploration, and rejoice in the birth of the next.
Thank you for writing this. It made me cry, but oh I am so relieved to see the yearning for the stars.
That shouldn’t have given me as many feels as it did…
This gave me chills like twice
Can we talk about how Anne Hathaway’s husband Adam Shulman looks a bit like William Shakespeare… who had a wife named Anne Hathaway?
damn the illuminati’s not even trying anymore
I guess you could say that when Anne hath a Will, Anne Hathaway
okay I have to reblog for that pun
I’m pretty sure this is exactly what happened in the Doctor’s mind.
when you’re talking about Doctor Who with a non-whovian friend
Make a huge impact with this super-size responsive grid theme!
- Parallax header with up to 5 images
- Full screen, responsive grid layout
- Powerful premium features
- Customize everything
- Awesome customer support
doctor who tomorrow
doctor who tomorrow
doctor who tomorrow
doctor who t o m o r r o w
It’s so long since it isn’t necessary, anymore.
You're a part of me, and I’m a part of you.
I don’t want to fly alone.
What you get when you watch this video:
- The catchiness of Blurred Lines while maintaining your self-respect
- An education!
I love this video because
a) it takes the catchy tune of a disgrace of a song and turns it into something glorious
b) includes the line “Get out of the gene pool” and any song with that line deserves everything
we should make this more popular than blurred lines
I can’t believe I put off watching this, because it was figuratively fantastic.
I think “literally fantastic” would work here
to quote hamlet act III scene iii line 92, “no”
The Fires of Pompeii - Behind the Scenes
DT & crew are totally cracking me up as they act like consummate tourists outside St Peter’s Basilica in Rome.
Excerpt from Benjamin Cook’s Pompeii article (DWM 395)
"I almost trod on a chicken," continues Catherine. "They’re fantastic chickens, aren’t they?"
"One was flapping around my crotch for quite a long time," says David. "Did you see? We’re practically married."
David can’t decide how to deliver his ‘mad old soothsayer’ line. “Jazz hands? Curly-wurly gesture? Or mad Steptoe face?” he suggests. “Or I could do all three?”
"What, on the same take?" exclaims Phil Collinson. "No, stick with the jazz hands."
"Please can we throw some water over Dan now?" chuckles Peter Capaldi, alias Caecilius himself. He’s as anxious as the rest of us to see the First Assistant Director get drenched [standing in for the Pyrovile].
The actual Pyrovile will be added in post-production. “Get ready, everybody,” says Dan, with the weary resignation of a man who knows that he’s about to get a soakin’. “I only want to do this once.”
Two minutes later, and Francois has thrown a bucket of water over the First Assistant, an expensive-looking piece of lightening equipment, and an even-more-expensive-looking camera. […]men with mops clean up the mess. Too late for David, though, who’s slipped over in it once already.
"Was that you screaming like a girl just then?" asks Phil, popping up from behind the camera monitor.
"Was it? Certainly not," says David. "Well, I can’t admit to it!"
"But are you all right?"
"No, no, I’m fine. It’s only water." David grimaces. "Much easier to work with than chickens."